by Colleen McClintock
Tin House Books saw yet another rave review of Matthew
Specktor’s novel American Dream Machine appear in the print copy of the New York
Times’ June 2nd Sunday Book Review. The same review was published early on the New York Times website, the previous Friday.
In laymen’s terms, the exposure that both Tin House and Specktor received within one single weekend was downright impressive. The review was
featured on the eleventh page of the Book Review section, and took up the
entire space of the page; a feat not easily achieved in the Times. It was written by Christine Sneed,
a well-established author, herself. It is perhaps because of this that Sneed
was able to tap into the sentimentality of Specktor’s novel in her review,
calling its dismal tone “elegaic” and deeming it as a “hip bildungsroman”
narrated by the protagonist, Nate, in the fashion of a “fever dream.”
A photo of Matthew Specktor featured in the Times' review of American Dream Machine, June 2. |
This is arguably
the biggest of praises that Tin House has seen this year via American Dream Machine, but it is
definitely not the first, as the Times
– and others – have featured smaller-scale reviews of the book since its April
release.
But it is not
just novels like American Dream Machine
that give Tin House its chutzpah; titles are only part of it. There are factors
like last year’s VIDA count that also come into play.
The VIDA count is
an annual survey taken by the feminist literary group, VIDA, to see where the
most gender equality lies in the world of publishing. In 2012 Tin House stood
out among the lot as one of the most progressive in terms of gender balance,
along with fellow Benay client, Granta
Magazine.
Tin House also reinforces
itself as a living, breathing institution through the yearly workshops they
hold for up-and-coming writers. They are residential programs run by the very
same editors of Tin House Books and of their sister lit mag, Tin House Magazine. The workshops are entered
strictly through application and acceptance, but hold little pretense elsewhere
and promise much growth for those who enroll. It is Tin House’s way of aiding
new writers in reaching the successes that authors like Specktor have reached.
In this, they ensure the survival and perseverance of a literary tradition based
on craft, style, and most importantly, passion.
If you’d like to learn more about Tin House Books,
please feel free to visit their website by clicking here. To see excerpts from American Dream Machine, please visit the book's page on the Tin House website.
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