Overlook Press' "The Tooth Fairy" is Reviewed by the New York Times

Benay client, Overlook Press, has Clifford Chase’s most recent masterpiece, “The Tooth Fairy: Parents, Lovers, and Other Wayward Deities (A Memoir),” in the New York Times Book Review. Chase, who is also known for the novel Winkie, delves deep into his past in “The Tooth Fairy.”

Clifford Chase’s unique style of writing captivates the reader as he takes them on a voyage through some of the hardest times in his life. These different hardships range from covering up his sexual orientation by forcing himself into relationships with women to his brother dying of AIDS.However, it is not all bad.

New York Times writer, Alysia Abbott ends her review of Chase’s book saying: “Chase still feels the pain of losing lovers, his parents and his older brother, but in writing about them here he lovingly caresses their memories.”  Ultimately, “The Tooth Fairy” illustrates, among other things, that there is an outlet to all struggles in life.

We are pleased to see the recognition of our client, Overlook Press. “The Tooth Fairy: Parents, Lovers, and Other Wayward Deities (A Memoir)” is for sale on the Overlook Press website.

Jason DeLeo Jr., Intern

Hogarth Hogs the Spotlight

British painter William Hogarth is known for being the most honest artist of 18^th Century. His depictions of so-called “modern moral subjects” were crude, yet nothing was capable of capturing the repugnant reality of East London in more vivid detail. Hogarth’s portrayal of the underbelly of the metropolis is what lead author, Michael Dean, to use his persona as the lead character in his new title, I, Hogarth. This whimsical tale from Duckworth, an imprint of Overlook Press, with its surprising historical accuracies, is receiving praise only days after its release date (Feb.1, 2013), appearing in this week’s edition of The New York Times Sunday Book Review.

It’s easy to see why the heralded New York newspaper refers to Duckworth Overlook’s title as “gritty, bawdy, and funny.” Following a fictional Hogarth through his poverty stricken youth and rise to fortune from the rotten alleys of East London, I, Hogarth highlights the character that was William Hogarth in a way his paintings never could. Dean’s character describes his work as an engraver (a job Hogarth had to work on his way to becoming a renowned artist) as “scratch[ing] away laboriously like a whore with the clap, easing her itch.” The use of witty yet profuse language emulates Hogarth’s artwork flawlessly, especially “A Harlot’s Progress,” which chronicled an innocent country girl’s immoral demise in the cesspool of a city Harlot called home.

From his pants-dropping shenanigans with prostitutes to his recollection of theater crowds that smelled “like a dead dog rotting in the Devil’s privy,” Harlot’s character embodies 18^th century life in London. He satirizes the moral decline of modern society while displaying immorality of his own, contracting syphilis and endangering his wife yet freely criticizing all those around him (even the Prime Minister).

Author, “Dean[,] weaves Hogarth’s opinion on art into the narrative” and “paints with words as Hogarth did with his brush”(New York Times). The boisterous and perverse character of Harlot, as well as his intriguing journey to stardom, is now available for your reading pleasure, as I, Hogarth is now available for purchase online and in bookstores near you. I encourage all readers of a mature enough age to pick up a copy and enjoy the comedic and captivating new Duckworth/Overlook title.