Tin House Gains More Speed with N.Y. Times Rave Review of 'American Dream Machine'

by Colleen McClintock

Tin House Books saw yet another rave review of Matthew Specktor’s novel American Dream Machine appear in the print copy of the New York Times’ June 2nd Sunday Book Review. The same review was published early on the New York Times website, the previous Friday.

In laymen’s terms, the exposure that both Tin House and Specktor received within one single weekend was downright impressive. The review was featured on the eleventh page of the Book Review section, and took up the entire space of the page; a feat not easily achieved in the Times.  It was written by Christine Sneed, a well-established author, herself. It is perhaps because of this that Sneed was able to tap into the sentimentality of Specktor’s novel in her review, calling its dismal tone “elegaic” and deeming it as a “hip bildungsroman” narrated by the protagonist, Nate, in the fashion of a “fever dream.”

A photo of Matthew Specktor featured in the Times' review
of American Dream Machine, June 2.

This is arguably the biggest of praises that Tin House has seen this year via American Dream Machine, but it is definitely not the first, as the Times – and others – have featured smaller-scale reviews of the book since its April release.

But it is not just novels like American Dream Machine that give Tin House its chutzpah; titles are only part of it. There are factors like last year’s VIDA count that also come into play.

The VIDA count is an annual survey taken by the feminist literary group, VIDA, to see where the most gender equality lies in the world of publishing. In 2012 Tin House stood out among the lot as one of the most progressive in terms of gender balance, along with fellow Benay client, Granta Magazine.

Tin House also reinforces itself as a living, breathing institution through the yearly workshops they hold for up-and-coming writers. They are residential programs run by the very same editors of Tin House Books and of their sister lit mag, Tin House Magazine. The workshops are entered strictly through application and acceptance, but hold little pretense elsewhere and promise much growth for those who enroll. It is Tin House’s way of aiding new writers in reaching the successes that authors like Specktor have reached. In this, they ensure the survival and perseverance of a literary tradition based on craft, style, and most importantly, passion.

If you’d like to learn more about Tin House Books, please feel free to visit their website by clicking here. To see excerpts from American Dream Machine, please visit the book's page on the Tin House website. 

Tin House Author Approached by Dexter's Matthew C. Hall with Plans for Showtime Script

Of course we at Benay know all too well the breadth of talent our clients publish, but the verity of this realization came to fruition when Benay client Tin House Book's author, Matthew Specktor, was approach by none other than Michael C. Hall, who had a very particular proposal for him. Hall, who many of you may know better as the murderous television vigilante, Dexter, had read Specktor’s most recent novel, American Dream Machine, released from Tin House Books in April, and seen huge cinematic potential. He wanted the story to come to life on screen as a new Showtime television series, and he wanted Specktor to be the one to write it to life. Specktor agreed to the project; a decision that he would have had trouble making years ago.



Tin House author, Matthew Specktor

“I didn’t know very many happy screenwriters,” he writes in a recent column for Salon Media Group. “I didn’t know any, in fact: even the most successful among them… were miserable, touched with a kind of self-loathing unique to the breed.”

And yet Specktor is still giving it a go. The American Dream Machine project is still in its infancy at the Showtime studios, according to The Hollywood Reporter, but the prospects do seem hopeful. With the Dexter saga at a close, Hall is ramped up for a fresh new project, and Specktor seems to be in a rather healthy place these days in his relationship with screenwriting.

Tin House Books joked about the news on their Facebook page, last Monday, asking their followers who they think should play Beau, the father of the novel’s main character who rises out of nothingness to become one of Hollywood’s top agents. Answers proved cheeky, ranging from Patton Oswalt to Fred Melamed.



Screenshot of Michael C. Hall from an
episode of the Showtime series, Dexter.

On a more serious note, it does seem only fitting that an actor like Hall would pick up a book like American Dream Machine and bring it to Showtime. After all, their fast-paced racy series like Dexter, Weeds, and Californication, mirror the tone found in a large amount of Tin House’s titles. Alongside American Dream Machine’s gritty reality sits novels like Me and Mr. Booker, a tale of a small town sixteen-year-old who finds salvation from boredom in a charming Brit who shows her the ways of the world through style, adventure, whiskey, cigarettes and sex, and Misfit, a novel that outlines the last week of Marilyn Monroe’s life, and her long hard fall from the top of stardom.

Tin House’s books having a modern cinematic feel is unmistakable. They are highly conducive to the modern medium of film and television; a fact solidified by Showtime’s recent interest in American Dream Machine, and a quality that will prove to be invaluable, given the way that the story is favored so immensely by motion picture in this age. It is just another way that we at Benay are right in saying that our clients are, indeed, on top.

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If you’d like to learn more about Matthew Specktor and his novel, American Dream Machine, please visit the Tin House website by clicking here. You can find excerpts from the novel, information on Specktor’s other works, other Tin House authors, and more.

- Colleen McClintock

Tin House and Granta Set the Gender Bar for Publishers Nationwide

Could we be any more proud of our clients?  After seeing the official results from the March 4th VIDA count, probably not.  Benay clients Tin House and Granta were rated by VIDA as two of the most progressive publishers these days when it comes to gender equality.  Out of the fifteen that were reviewed by VIDA they and the Boston Review were the only ones to find that they were balanced between men and women in editors, reviewers, contributors, and otherwise.  The remaining twelve were shown to be starkly in favor of women.

The "Fantastic Women" issue of
Tin House, issued Fall 2007

“It isn’t rocket science” – the very words of Tin House Editor, Rob Spillman as quoted in a recent article on the pop culture blog, Flavorwire.  Spillman states, “…you would think others would move toward gender equality, or at least make a gesture toward it… for us the VIDA count was a spur, a call to action.”

How right he is.  The numbers of the VIDA count were dismal in many cases.  The New Yorker results showed roughly two and a half times as many men were employed in all categories; The New York Review of Books was even more imbalanced at around five times as many male contenders in all categories.

Not surprisingly, Tin House was singing somewhat of the same song not too long ago.  The difference is in the way they handled it.  The editorial team saw that even though they asked for an even split of writers to cover, people just kept writing more about male authors.  So what did they do?  They did what any truly proactive, progressive publisher would do – they got über deliberate.  Spillman and his team decided to section off a chunk of time every editorial meeting to re-evaluate the gender balance.  If it is off-kilter they fix it.  It’s as simple as that, no fuel cell chemical equation required.

Those over at Granta take an even simpler approach; they take gender out of the equation altogether.  For Editor John Freeman it is not a matter of the best female writers and the best male writers featured in his magazine, it is the best writers.  He seems to find that middle part erroneous.

“I don’t force myself to think of Louise Erdrich, or Karen Russell,” Freeman says in the Flavorwire article. “In fact, it is hard for me not to [think about them]; to me, they are simply the best out there.”

American Dream Machine author
Matthew Specktor with his daughter.

Now it is not as if this means that the writers at Tin House and Granta, respectively, are chosen out of gender equal merit.  Matthew Specktor’s novel American Dream Machine set to release from Tin House next month hardly holds any female characters at all.  It is a story, told from male protagonist Nate Rosenwald’s point of view, about his one-time successful talent agent father Beau Rosenwald.  Nate relates the story of his father’s personal reinvention as he starts up his own agency, the American Dream Machine, with friend and consequent business partner, William Farquarson.

It is a son-and-father tale to beat the best of them, and there is nothing wrong with that.  As a recent review of Specktor’s novel on bookbrowse.com says, this novel may be all about men but it is by no means only for men.  In the novel Nate narrates with a distinctly authorial voice, channeling Specktor himself when he says, “This story… isn't about some bored actress and her existential crises, a troubled screenwriter who comes to his senses and hightails it back to Illinois. It's not about the vacuous horror of the California dream. It's something that could've happened anywhere else in the world, but instead settled, inexplicably, here.”

Hearing the novel put in this light, it isn’t really surprising, then, that it’s coming out of Tin House.  It could happen to anyone - it is applicable to anyone, un-biased and free from pretense.

- Colleen McClintock